Sidewalk Cafe (4/3/08)
New York, NY
It had been 10 months since my last set at Sidewalk, which seems absurd given my affinity for the space. The truth is I've been performing less and less these days, as the demands on my time increase at work and the little rooms I so enjoy frequenting dwindle (The C-Note and DTUT being two cases in point).
Sidewalk, of course, has always been my favorite, even before I saw Suzanne Vega take the stage there in August of 2006. Microphone difficulties postponed and shortened the set by about 10 minutes, but I was still thrilled to be back and in front of such a great audience, which included many friends, relatives and colleagues, as well as my girlfriend and her parents, who were seeing me perform for the first time.
While the sound man worked to solve the mic troubles, I sang along with Paul McCartney on Maxwell's Silver Hammer and thought about what to play. I knew I wanted to reintroduce some older material, and I'd rehearsed some in the days before the the gig, but the crowd was a bit more lively than I'd expected and I wasn't sure about forsaking the standards for novelties. Before I could make up my mind, the sound was up and running and we were ready to go.
I opened with Musical Chairs just to get the ball rolling and it came off reasonably well. White Horse and Snapdragon, the latter of which was the strongest version since Kenny's Castaways in November of 1992, when I performed it with Pride's Crossing, were well received and raised my spirits enough to have a go at Self-Portrait in Your Colors. For the first time, I have been struggling with it and the meaning behind it, and I wasn't sure I would be able to handle it in front of an audience. Fortunately, I was wrong and it served me as well as it ever has.
For various reasons, Adrian is the only song from Non-Fiction Junkie I've performed live, and I've now played it at four consecutive shows. It may be time to break out Charades or The Joke's On You or to rework Truffaut into something more amenable to guitar. Regardless, Adrian, bolstered by some new guitar distortion, fed my confidence enough to revive La Linea after five years for my Aunt Renee, who has requested it repeatedly to no avail. Written in the summer of 2001, the first verse on a park bench in Teddy Roosevelt National Park, the second in a motel room in Bowman, North Dakota, La Linea seems very much a song from another era and while it's nice to visit with such old friends, I am careful not to dwell on them. If another five years pass before we meet again, it wouldn't surprise me.
I launched into Pretty Girls almost immediately and repented with This Guy, which I'd flubbed just at the end at Sidewalk last June. Alas, I managed to mar it seconds from the finish yet again, so it will likely be left off the forthcoming live CD. I'll be sure to rectify that next time around.
I solicited requests from the audience and settled on Fake Plastic Trees, suggested by (who else?) Sean McAndrew. As much as I love performing this Radiohead classic, I think it works best as a rare surprise and I'll have to think long and hard before presenting it again. I got the two-song warning as the last chord rang out and when Amber suggested All Of This Will Stay, I readily obliged her. All Of This Will Stay began life as an amateurish poem, written on the campus of Lehigh University 15 years ago. It is an ode to the memory of love and one of the few old songs that don't feel stale to me. Amber and the rest of the crowd seemed pleased with it as well.
I settled on Charlene to close the set and I was feeling full and satisfied as I sang some of my favorite lyrics, many of which were greeted with chuckles. While I left Something Simple, Damsel, Post Call and Jackson Browne's My Stunning Mystery Companion in my back pocket, I was reasonably content with the set and I basked in a post-show daze while I mingled with a truly terrific audience.
Thanks to everyone who came out to support me. You can't imagine what it means to me to play my songs for so many people I care about, some of whom I have known only a short while. I will never take that gift for granted.
See you soon enough!
(click here to listen to this show)
It had been 10 months since my last set at Sidewalk, which seems absurd given my affinity for the space. The truth is I've been performing less and less these days, as the demands on my time increase at work and the little rooms I so enjoy frequenting dwindle (The C-Note and DTUT being two cases in point).Sidewalk, of course, has always been my favorite, even before I saw Suzanne Vega take the stage there in August of 2006. Microphone difficulties postponed and shortened the set by about 10 minutes, but I was still thrilled to be back and in front of such a great audience, which included many friends, relatives and colleagues, as well as my girlfriend and her parents, who were seeing me perform for the first time.
While the sound man worked to solve the mic troubles, I sang along with Paul McCartney on Maxwell's Silver Hammer and thought about what to play. I knew I wanted to reintroduce some older material, and I'd rehearsed some in the days before the the gig, but the crowd was a bit more lively than I'd expected and I wasn't sure about forsaking the standards for novelties. Before I could make up my mind, the sound was up and running and we were ready to go.
I opened with Musical Chairs just to get the ball rolling and it came off reasonably well. White Horse and Snapdragon, the latter of which was the strongest version since Kenny's Castaways in November of 1992, when I performed it with Pride's Crossing, were well received and raised my spirits enough to have a go at Self-Portrait in Your Colors. For the first time, I have been struggling with it and the meaning behind it, and I wasn't sure I would be able to handle it in front of an audience. Fortunately, I was wrong and it served me as well as it ever has.
For various reasons, Adrian is the only song from Non-Fiction Junkie I've performed live, and I've now played it at four consecutive shows. It may be time to break out Charades or The Joke's On You or to rework Truffaut into something more amenable to guitar. Regardless, Adrian, bolstered by some new guitar distortion, fed my confidence enough to revive La Linea after five years for my Aunt Renee, who has requested it repeatedly to no avail. Written in the summer of 2001, the first verse on a park bench in Teddy Roosevelt National Park, the second in a motel room in Bowman, North Dakota, La Linea seems very much a song from another era and while it's nice to visit with such old friends, I am careful not to dwell on them. If another five years pass before we meet again, it wouldn't surprise me.
I launched into Pretty Girls almost immediately and repented with This Guy, which I'd flubbed just at the end at Sidewalk last June. Alas, I managed to mar it seconds from the finish yet again, so it will likely be left off the forthcoming live CD. I'll be sure to rectify that next time around.
I solicited requests from the audience and settled on Fake Plastic Trees, suggested by (who else?) Sean McAndrew. As much as I love performing this Radiohead classic, I think it works best as a rare surprise and I'll have to think long and hard before presenting it again. I got the two-song warning as the last chord rang out and when Amber suggested All Of This Will Stay, I readily obliged her. All Of This Will Stay began life as an amateurish poem, written on the campus of Lehigh University 15 years ago. It is an ode to the memory of love and one of the few old songs that don't feel stale to me. Amber and the rest of the crowd seemed pleased with it as well.
I settled on Charlene to close the set and I was feeling full and satisfied as I sang some of my favorite lyrics, many of which were greeted with chuckles. While I left Something Simple, Damsel, Post Call and Jackson Browne's My Stunning Mystery Companion in my back pocket, I was reasonably content with the set and I basked in a post-show daze while I mingled with a truly terrific audience.
Thanks to everyone who came out to support me. You can't imagine what it means to me to play my songs for so many people I care about, some of whom I have known only a short while. I will never take that gift for granted.
See you soon enough!
(click here to listen to this show)
Setlist: Musical Chairs / White Horse / Snapdragon / Self-Portrait In Your Colors / Adrian / La Linea (first since Sidewalk Cafe: 10/21/2003) / Pretty Girls / This Guy / Fake Plastic Trees / All Of This Will Stay / Charlene


